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 Post subject: Re: Film Criticism
PostPosted: Fri Jun 02, 2017 1:58 pm 

Joined: Tue Apr 29, 2008 12:49 pm
New York Observer has unceremoniously kicked Rex Reed to the curb.

Darn.


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 Post subject: Re: Film Criticism
PostPosted: Wed Jun 07, 2017 6:13 pm 
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A.O. Scott is on a roll lately with his brutal reviews of recent blockbusters, including The Mummy and Pirates of the Caribbean.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jun 09, 2017 4:18 pm 
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For no particular reason, the New York Times presents its top 25 films of the century so far, with some input from Richard Linklater, Ava Duvernay, Guillermo del Toro, and others.

They also present some top 10s of the same period from a disparate group of directors, including Denis Villeneuve, Sofia Coppola, and... Brett Ratner!


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 Post subject: Re: Film Criticism
PostPosted: Fri Jun 09, 2017 4:45 pm 
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DarkImbecile wrote:
Brett Ratner!
He picks two Jonathan Glazer movies :shock:

(Paul Feig's list is actually the real runt of the litter here.)


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 Post subject: Re: Film Criticism
PostPosted: Fri Jun 09, 2017 5:34 pm 
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Location: NYC
Poor choice of a Pixar film - I already posted my disappointment elsewhere, but it felt gooey and fatally simplistic given its ambitions. I didn't think it was a patch on Wall•E or Up.

Munich was also a bit underwhelming. Too bad one of them refused to put A.I. down.

I like Judd Apatow, but I feel like he's more suited for TV work (The Larry Sanders Show, Freaks and Geeks).


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 Post subject: Re: Film Criticism
PostPosted: Tue Jun 13, 2017 3:26 pm 
Dot Com Dom
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Discussion of Empire's latest click bait list moved here


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 1:37 am 
Dot Com Dom
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Joined: Wed Jan 11, 2006 2:42 pm
This is just pathetic


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 9:23 am 
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Joined: Mon Feb 08, 2016 12:54 pm
Location: Great Falls, Montana
domino harvey wrote:

They want me to pay $25-$50 for a chance to POSSIBLY win a Blu-Ray or Blu Rays? You can freaking buy some for less than that on Amazon. And with free shipping you're obviously guaranteed it below the price you'd be paying on this useless Patreon.

I understand Patreon and why it exists but seriously?


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 7:16 pm 
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Joined: Wed Mar 19, 2008 10:39 pm
Location: Idaho
Oof, just let yourself perish Slant. This isn't a good look.


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 7:58 pm 
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Joined: Wed Nov 03, 2004 8:48 am
Location: Atlanta
Well, I think it's for people with lots of disposable income who want to contribute a larger sum to Slant each month to keep it running, not as a 1:1 exchange for the chance to win a blu-ray.

But that having been said, I never read Slant and won't miss it when it's gone.


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 8:20 pm 
Dot Com Dom
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Joined: Wed Jan 11, 2006 2:42 pm
It's more the paltry $158 a month from 26 readers that makes me cringe. It's like in high school, what happens if you throw a party and no one comes?


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 Post subject: Re: Film Criticism
PostPosted: Sat Jun 17, 2017 9:22 pm 
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Joined: Wed Nov 03, 2004 8:48 am
Location: Atlanta
On the upside, it makes winning the blu-ray drawing easy if you're the only one contributing \:D/


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 8:01 pm 
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A long Twitter rant from Matt Zoller Seitz on the laziness of "film buffs". An insightful to the growing issue that is hurting the film community and how to combat this growing ignorance of members who don't want to broaden their horizon.


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 8:08 pm 
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Yikes, those responses are why intellectual discourse is rapidly dying


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 8:40 pm 
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Joined: Sat Sep 06, 2008 6:49 pm
Nothing good can come from twitter so I'll wait for his next book.


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 9:30 pm 
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Location: Greenwich Village
Dead or Deader wrote:
A long Twitter rant from Matt Zoller Seitz on the laziness of "film buffs". An insightful to the growing issue that is hurting the film community and how to combat this growing ignorance of members who don't want to broaden their horizon.

Quote:
Matt Zoller Seitz‏ @mattzollerseitz Jul 12
This entire thread is inspired by recommending RIFIFI to a young friend and seeing his face fall twice, at "French" and "black and white."


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 9:49 pm 
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Joined: Fri Jun 24, 2016 12:32 pm
I agree with a lot of what he's saying but is a tweetstorm the best way to get that across? Also given the recent David Brooks column debacle it doesn't seem like the best timing to make an impassioned case on Twitter for intellectual curiosity and seeking out the unfamiliar. As the replies already reflect the pitchforks are kinda pre-sharpened.


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 Post subject: Re: Film Criticism
PostPosted: Thu Jul 13, 2017 9:55 pm 
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Location: Greenwich Village
Indeed. Twitter is trolls' paradise.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 12:04 am 
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Joined: Wed Nov 03, 2004 1:20 pm
Location: New England
I signed up for Twitter -- but find it very unappealing. I'm just too old for it, I guess (having just passed 65).


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 2:59 am 
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Location: Cambridge, England
I'm about the same age as you, MK, and I feel the same. It's a place where people go to be outraged,and it's about as interesting as those letters in "The Times" that tell us that somebody has heard a cuckoo in spring.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 4:20 am 
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Having had to cope sometimes with fellow critics (not just friends) that clearly showed a lack of general knowledge about what they were discussing, I can only second what MZS is saying (well, most of it).

It just feels that in many cases, general culture is lacking and people end up trying to discuss something only from a pure subjective limited point of view WITHOUT the will to actively broaden their understanding about it.

I had a long (and relatively tiresome) about Get Out for instance, because the reviewer who typed the critic for the website clearly misunderstood the movie, but also had no societal knowledge about what the movie was discussing and clearly had no will to go around and look for more contextual elements to widen his understanding. I mean, you really didn't know about Trayvvon Martin and Michael Brown, but are typing the main review for Get Out ? Wow.

There's a real lack of curiosity and of willingness to be curious that isn't much different that what can be found in some movie buffs, but really, that isn't much different than what was happening 10 years ago, where I was already having the discussion between cinephile and movie-eaters. Many people watching lots of stuff think they're movie buffs, but they don't always understand the forward curiosity and the awareness this requires (and, then, the subsequent time), and they certainly don't go outside of the watching itself to learn more about the movie's background, the context of what can be discussed in it, etc.

However, I don't agree about the way he tries to split older vs newer movies. I know it's Twitter and he might have simplified his speech on this matter because of the format, but older movies that feel slow quiet and opaque VS newer movies that are all commercial products ? Really ?

Same goes for melodramas : my GF certainly is now used to older movies, because that's what I make her watch very often, but she loved All That Heaven Allows and other Sirk melodramas for instance.

tojoed wrote:
I'm about the same age as you, MK, and I feel the same. It's a place where people go to be outraged,and it's about as interesting as those letters in "The Times" that tell us that somebody has heard a cuckoo in spring.


Oh, I tend to like Twitter, because it's a place where people from the industry are relatively reactive so you can fire there a quick question and it's likely you'll get an answer. It's sometimes better than sending an email that might be overlooked.

However, it's a bit ironic for MZS to speak about the future belonging to "memes, gifs and texted pics" by doing a 30-tweets rant that might have been more readable as, well, a text.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 5:41 am 

Joined: Sat Jan 14, 2017 3:04 pm
I have friends in their 30s and older who absolutely refuse to watch anything in black and white or subtitled. He's definitely right--with the glut of superhero films and the younger generation that I see interested in film still with the tendency to think Tarantino and Nolan are the only directors (I actually love some of Nolan's films, but still), and that Amelie is the only foreign film in existence (I also like that one and Jeunet's others, weirdly I feel ashamed to admit I like it since it's the token foreign film for people who don't like movies)--basically that empire list is composed by the person Seitz is talking about. I can't blame him for this rant and don't find it comparable to the weird Brooks article.

At the same time, don't most high schools and probably all liberal arts colleges offer intro to film classes? At my high school we offer some kind of film elective. Sadly it's only every two years. I also think it tends to be a mix (sadly) of more recent American Oscar winners with Casablanca and some other Hollywood classic tossed in. Maybe if some kind of AP Film was created you could sneak in more. By creating some bureaucratic board to grade film essays of 18 year olds we might be able to find a few curious film-seekers.

On a somewhat related note, all of this reminds me of the argument in the Wonder Woman thread about American critics overpraising recent, soon to be utterly forgettable movies that aren't worthy just to pump the hype machine. Richard Brody sounded that note at the end of his review of Baby Driver, while simultaneously clinging to a few of his typical arguments:

Quote:
Wright doesn’t let himself go, but his movie has still satisfied critics who are in love with the idea of Hollywood providing something that’s not based on a superhero franchise, providing something that, with its retro soundtrack and retro cleanness, reminds them of a Hollywood that no longer exists—even if some of its luminaries certainly do. Great directors of the New Hollywood of the seventies—an age when the studios put big money into ambitious filmmakers’ wide-release movies—are still working, with independent financing, lower budgets, and more limited releases, but more daringly and originally than ever; along the way, they have outrun the critics who love their early stuff best. The nostalgia of “Baby Driver” is more than a celebration of the past; it’s a repudiation of much of the best and most original filmmaking of the present day.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 7:58 am 
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JohnShade wrote:
He's definitely right--with the glut of superhero films and the younger generation that I see interested in film still with the tendency to think Tarantino and Nolan are the only directors (I actually love some of Nolan's films, but still), and that Amelie is the only foreign film in existence (I also like that one and Jeunet's others, weirdly I feel ashamed to admit I like it since it's the token foreign film for people who don't like movies)--basically that empire list is composed by the person Seitz is talking about.


I still strongly believe that this is something that vastly pre-dates the "glut of superhero films" and the current younger generation.
I've been very interested by cinema for about 20 years, and already at that time, I was seeing people who had no will at all to get out of their comfort zones and being curious about older movies or foreign ones. I feel like I've always been told "that can't be, you're actually making that director's name up, aren't you ?" It's definitely not a recent thing.

And actually, at least around my place, it goes a bit the other way around now, with more and more subtitled movies being shown in the bigger theater in Metz (the biggest town near where I lived with my parents) rather than just in the small arthouse one, and my small town theater starting to show some subtitles movies on a regular basis since roughly 2012.


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 11:44 am 
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Location: New England
Even is the S/N ratio of Twitter were higher, following it seems too much like work (and seems too disruptive of "real life"). ;-)


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 Post subject: Re: Film Criticism
PostPosted: Fri Jul 14, 2017 12:10 pm 
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Location: Greenwich Village
tenia wrote:
I still strongly believe that this is something that vastly pre-dates the "glut of superhero films" and the current younger generation.
I've been very interested by cinema for about 20 years, and already at that time, I was seeing people who had no will at all to get out of their comfort zones and being curious about older movies or foreign ones. I feel like I've always been told "that can't be, you're actually making that director's name up, aren't you ?" It's definitely not a recent thing.
I think this is inherently true for large segments of every generation. People get locked into the comfort of the mainstream and never want to or care to expand more than that. I can't tell you how many times I heard someone say, "I don't want to think when I watch movies. I just want to be entertained."


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