Olive Films

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captveg
Joined: Wed Sep 02, 2009 7:28 pm

Re: Olive Films

#1551 Post by captveg » Fri Aug 28, 2015 6:32 pm

Update: Remaining from the older Paramount/Republic deal(s) (6):

The Adalen Riots (1969)
Beware, My Lovely (1952)
The Life and Times of Grizzly Adams (1974)
Outrage (1950)
The Private Affairs of Bel Ami (1947)
The Sound of Fury (1950)

DVD-only released, Blu-ray upgrade pending (6):

The Buccaneer (1938)
The Lawless (1950)
No Man of Her Own (1950)
Pony Express (1953)
Something to Live For (1952)
Tropic of Cancer (1970)

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domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 2:42 pm

Re: Olive Films

#1552 Post by domino harvey » Mon Aug 31, 2015 11:20 am

Season Thirteen of King of the Hill will be getting a Blu-ray release in October

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What A Disgrace
Joined: Sun Nov 07, 2004 10:34 pm
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Re: Olive Films

#1553 Post by What A Disgrace » Mon Aug 31, 2015 12:31 pm

The Sound of Fury is one title I've been waiting for since this whole Paramount/Republic/Olive thing literally began, and every time this thread gets updated I hope its to confirm that it is finally getting a release. But, you know.

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Paul Moran
Joined: Wed Nov 03, 2004 1:06 pm
Location: UK

Re: Olive Films

#1554 Post by Paul Moran » Mon Aug 31, 2015 5:03 pm

I'm tempted by The Adalen Riots (1969) - better known over here as Adalen 31. Saw it twice on TV, many many years ago.

peerpee
not perpee
Joined: Tue Nov 02, 2004 3:41 pm

Re: Olive Films

#1555 Post by peerpee » Mon Aug 31, 2015 7:17 pm

Paul Moran wrote:I'm tempted by The Adalen Riots (1969) - better known over here as Adalen 31. Saw it twice on TV, many many years ago.
Kubrick liked it quite a bit.

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feihong
Joined: Thu Nov 04, 2004 12:20 pm

Re: Olive Films

#1556 Post by feihong » Fri Sep 25, 2015 12:15 am

Watching Black Caesar now. It looks lovely. Great depth of field, sharp picture, great, meaty color, nice film grain. DTS stereo audio sounds very good, too.

Unfortunately, the Larry Cohen audio commentary from the DVD did not transfer to this blu-ray release. A shame, since the commentary is not only informative, but very inspiring.

Very relieved to see this given a good transfer. It's the first non-G-rated movie I ever saw, so it has a special place in my heart. It scandalized everyone in the room watching with me, but I loved it.

Zaki
Joined: Sat Oct 23, 2010 11:36 am

Re: Olive Films

#1557 Post by Zaki » Fri Sep 25, 2015 8:37 pm

Hopefully, Black Caesar will come out from Arrow at a certain point as a region B blu. Their other blaxploitation blus I've seen (Foxy Brown and Coffy) are fabulous editions with excellent extras, unlike the bare-bones Olive, which do not include even English subtitles.

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MichaelB
Joined: Fri Aug 11, 2006 6:20 pm
Location: Worthing
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Re: Olive Films

#1558 Post by MichaelB » Sun Sep 27, 2015 5:34 am

I wouldn't hold your breath when it comes to Arrow blaxploitation - the market in the UK just isn't big enough.

Zaki
Joined: Sat Oct 23, 2010 11:36 am

Re: Olive Films

#1559 Post by Zaki » Sun Sep 27, 2015 4:28 pm

That's unfortunate, Michael, but thanks for this clarification. At least we have Foxy Brown and Coffy in lovely Arrow editions that should make any region B and region free blaxploitation fan happy.

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pointless
Joined: Tue Nov 07, 2006 9:55 am

Re: Olive Films

#1560 Post by pointless » Sat Oct 03, 2015 3:13 am

November Titles - November 24th


How to Lose Friends & Alienate People (2005)

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Romance & Cigarettes (John Turturro, 2005)

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Heartbreakers (David Mirkin, 2001)

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Of Mice and Men (Gary Sinise, 1992)

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Eight Men Out (John Sayles, 1988)

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Mr. Saturday Night (Billy Crystal, 1992)

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Making Mr. Right (Susan Seidelman, 1987)

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Smooth Talk (Joyce Chopra, 1985)

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Undercover Blues (Herbert Ross, 1993)

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It Runs in the Family (Fred Schepisi, 2003)

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Larger Than Life (Howard Franklin, 1996)

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At First Sight (Irwin Winkler, 1999)

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Almost an Angel (John Cornell, 1990)

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The Kid from Cleveland (Herbert Kline, 1949)

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Voodoo Man (William Beaudine, 1944)

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Roar (Noel Marshall, 1981) - November 3rd

Special Features:
  • Optional English subtitles
    The Making of ROAR
    Q&A with Cast and Crew at ROAR rePremiere at The CineFamily, Los Angeles, CA (4/7/15)
    The Grandeur of ROAR - an essay by Tim League
    Feature Audio Commentary with John Marshall and Tim League
    Trailer (2015)
    Photo Gallery
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SpiderBaby
Joined: Wed Dec 15, 2010 6:34 pm

Re: Olive Films

#1561 Post by SpiderBaby » Sat Oct 03, 2015 4:41 am

Did these guys forget about Fassbinder's The Stationmaster's Wife? Seems like I've been waiting for 4-5 years.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Olive Films

#1562 Post by hearthesilence » Sat Oct 03, 2015 12:48 pm

Weird choices for the next batch of releases, especially on the heels of so many classics.

Noiradelic
Joined: Sun Jul 19, 2009 12:45 am

Re: Olive Films

#1563 Post by Noiradelic » Sat Oct 03, 2015 9:34 pm

What A Disgrace wrote:The Sound of Fury is one title I've been waiting for since this whole Paramount/Republic/Olive thing literally began, and every time this thread gets updated I hope its to confirm that it is finally getting a release. But, you know.
Sorry for the reply delay, but I only learned that Try and Get Me!'s original title was The Sound of Fury after your post. The Film Noir Foundation has done a restoration of the film, and since they announced that Flicker Alley will now be handling the physical releases of their restorations, it's likely they'll be putting it out, in the not-too-distant future.

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pointless
Joined: Tue Nov 07, 2006 9:55 am

Re: Olive Films

#1564 Post by pointless » Fri Nov 06, 2015 11:17 pm

Let There Be Light: John Huston's Wartime Documentaries (1942) - January 19, 2016

Content:
  • Winning Your Wings (18:19)
    Report from the Aleutians (44:48)
    San Pietro (32:05)
    Let There Be Light (57:50)
Special Features:
  • John Huston's Wartime Documentaries: An Introduction (26:11)
    San Pietro: Raw Camera Footage (32:58)
    Shades of Gray (1:05:46) – The military re-edited and approved version of Huston's Let There Be Light, in which actors were used to portray soldiers.
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pointless
Joined: Tue Nov 07, 2006 9:55 am

Re: Olive Films

#1565 Post by pointless » Fri Nov 06, 2015 11:35 pm

January Titles announced - all to be released January 19th

The Undesirable - Mihály Kertész (aka Michael Curtiz), 1915

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Christmas Eve (Edwin L. Marin, 1947)

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Serial (Bill Persky, 1980)

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Life Tracker (Joe McClean, 2013)

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Hana-Dama: The Origin (Hisayasu Satō, 2014)

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Saturnome
Joined: Sun Aug 12, 2007 5:22 pm

Re: Olive Films

#1566 Post by Saturnome » Sat Nov 07, 2015 3:38 am

The hungarian silent is completely unexpected, I don't think I've ever heard or read anything on Curtiz's silent period. Have Olive ever released silents before?

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L.A.
Joined: Thu May 28, 2009 7:33 am
Location: Helsinki, Finland

Re: Olive Films

#1567 Post by L.A. » Sat Nov 07, 2015 9:07 am

pointless wrote:The Undesirable - Mihály Kertész (aka Michael Curtiz), 1915
Exciting news. Curious whether MaNDA will release their edition as well.

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pointless
Joined: Tue Nov 07, 2006 9:55 am

Re: Olive Films

#1568 Post by pointless » Tue Dec 01, 2015 7:28 pm

February titles announced- The street date is February 16th for all.

Secret Admirer (David Greenwalt, 1985)

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Beat Street (Stan Lathan, 1984)

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Moolight and Valentino (David Anspaugh, 1995)

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Amos & Andrew (E. Max Frye, 1993)

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Class (Lewis John Carlino, 1983)

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Code 46 (Michael Winterbottom, 2003)

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Mystery Date (Jonathan Wacks, 1991)

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Pressure Point (Stanley Kramer, 1962)

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Speechless (Ron Underwood, 1994)

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Sleep with Me (Rory Kelly, 1994)

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Last edited by pointless on Tue Dec 22, 2015 1:12 am, edited 1 time in total.

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Ashirg
Joined: Wed Nov 03, 2004 9:10 am
Location: Atlanta

Re: Olive Films

#1569 Post by Ashirg » Tue Dec 01, 2015 8:48 pm

Nothing from Paramount/Republic library. I hope they are not giving up on those remaining titles...

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zedz
Joined: Sun Nov 07, 2004 7:24 pm

Re: Olive Films

#1570 Post by zedz » Mon Dec 21, 2015 9:22 pm

I watched Frank Borzage's That's My Man last night and was surprised to find it was a kind of Christmas film: a lot of the scenes incidentally take place at Christmas, even though this doesn't really become a plot point. I was even more surprised to discover how dark and peculiar in tone it rapidly became.

The movie starts out as a screwball comedy, with one of the more ridiculous meet-cutes in the genre: Don Ameche offers Catherine McLeod a ride in his cab on a rainy Christmas Eve, and she has to share it with a pony. Then she has to put up the pony (but not Ameche) in her apartment overnight, which inevitably leads to the new couple sleeping together (in separate beds), falling in love, and getting married.

And then it turns out that Don Ameche is a shit. Not tortured or misunderstood, but just a horrible, horrible husband. With a gambling problem. McLeod isn't exactly long-suffering, because the film moves briskly and she never lets Ameche get away with his awfulness. Pretty soon she's telling him to fuck off, and he does. Tonally, this is rather unusual territory for Hollywood: it neither goes all the way into noir (with Ameche turning out to be definitively evil), and nor does it sentimentalize their 'lost' relationship (since we only ever see Ameche being manipulative and generally shitty), and it certainly never gets anywhere near the comedy it initially seemed to promise. There's eventually a happy ending of sorts, but it doesn't particularly try to wipe away the darkness of what went before, and Ameche's promise to be a better person is tempered by the multiple times he's hollowly made exactly the same promise throughout the course of the film.

Ameche's performance is stiff but effective. He dials his charm down as far as it will go for most of the film, so that when he dials it back up (generally when trying to convince his skeptical wife to give him a fourth or fifth chance), it makes your skin crawl.

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pointless
Joined: Tue Nov 07, 2006 9:55 am

Re: Olive Films

#1571 Post by pointless » Tue Jan 05, 2016 9:13 am

March releases - all titles have a street date of March 22nd

Breaker! Breaker! (Don Hulette, 1977)
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Bandits (Barry Levinson, 2001)
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Kill Me Again (John Dahl, 1989)
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The Trip (Roger Corman, 1967)
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Undertow (David Gordon Green, 2004)
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Clean Slate (Mick Jackson, 1994)
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Jinxed (Don Siegel, 1983)
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The Boost (Harold Becker, 1988)
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Making the Grade (Dorian Walker, 1984)
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My Summer Story (Bob Clark, 1994)
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pzadvance
Joined: Mon Nov 21, 2011 7:24 pm
Location: Los Angeles, CA

Re: Olive Films

#1572 Post by pzadvance » Tue Jan 05, 2016 9:24 am

Undertow! Hot dang!

Criminally overlooked David Gordon Green/Terrence Malick collabo that plays like a Night of the Hunter redux by way of Badlands. Can't wait to see this in HD.

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Jeff
Joined: Tue Nov 02, 2004 9:49 pm
Location: Denver, CO

Re: Olive Films

#1573 Post by Jeff » Tue Jan 05, 2016 11:03 pm

pzadvance wrote:Undertow! Hot dang!

Criminally overlooked David Gordon Green/Terrence Malick collabo that plays like a Night of the Hunter redux by way of Badlands. Can't wait to see this in HD.
Yes! I love Undertow, and never really expected it to get a Blu-ray release. I haven't been paying much attention to Olive lately. Any chance the substantial extras from the MGM DVD get ported over?

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domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 2:42 pm

Re: Olive Films

#1574 Post by domino harvey » Tue Jan 05, 2016 11:11 pm

Kino ports, Olive doesn't (or is at least selective/random about what they do)


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