Hell or High Water (David Mackenzie, 2016)
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Hell or High Water (David Mackenzie, 2016)
Hell or High Water is really good. It doesn't transcend heist-movie cliches, but it isn't lumbered with endless gun battles or unnecessary characters. It's a lean story, with convincing characters. Chris Pine and Ben Foster are never not interesting together, and Jeff Bridges plays up the old sheriff with ease.
- Luke M
- Joined: Thu Jul 12, 2007 9:21 pm
Re: The Films of 2016
Agreed. This was Ben Foster's best tough guy role and Chris Pine showed that he's capable of much more than he's been given. The film also deftly manages its theme with subtly. Regular citizens risking their lives over corporate money is breathtakingly stupid but also never feels unrealistic. One of my favorites of the year.flyonthewall2983 wrote:Hell or High Water is really good. It doesn't transcend heist-movie cliches, but it isn't lumbered with endless gun battles or unnecessary characters. It's a lean story, with convincing characters. Chris Pine and Ben Foster are never not interesting together, and Jeff Bridges plays up the old sheriff with ease.
- domino harvey
- Dot Com Dom
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Re: Hell or High Water (David Mackenzie, 2016)
I found this equal parts banal and contrived, and I am once more befuddled by a popular board favorite. I am now certain it will be nominated for Best Picture, as it's thoroughly mediocre enough. Every character is so phonily constructed and ridden through the parade of tropes and expected measures that are only matched by the repeated narrative turns that privilege posturing over insight. Having Devil from Justified show up for two minutes only reminds us of what a fully formed creative universe that show was, and makes this look like even more of a pale shadow of better works. This is straight to cable fodder made Oscar material through some strange casino deal not outlined by the film.
- bearcuborg
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Re: Hell or High Water (David Mackenzie, 2016)
I found this to be somewhere in the middle of the two posts in appraisal and the one detractor.
Foster and Pine were pretty good, and I loved the terrifying vigilante scene with the gun toting Texans. However, as a fan of true crime from David Simon, all the way to Forensic Files-the ending was a impossibly silly.
I caught both this and Manchester by the Sea on a plane, and found them both finely made movies, that I doubt I'll seriously remember months from now.
Foster and Pine were pretty good, and I loved the terrifying vigilante scene with the gun toting Texans. However, as a fan of true crime from David Simon, all the way to Forensic Files-the ending was a impossibly silly.
I caught both this and Manchester by the Sea on a plane, and found them both finely made movies, that I doubt I'll seriously remember months from now.
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: Hell or High Water (David Mackenzie, 2016)
I will lean with Domino, though I liked it a little more than him because of the genre stuff and the not Bridges performances. Perhaps it is a little too archetypal, but it is enjoyable as a predictable beat mover. Too bad it tries to underline its purpose so much. The scene with the waitress has to be the worst written from last year's major films.
- All the Best People
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Re: Hell or High Water (David Mackenzie, 2016)
I think what this movie had going for it the most (beyond the performances) was a real sense of place; the various townspeople spoke in authentic voices, and the residents forming their own gun-toting posse felt just so very Texas. I think it's a real shame this movie was nominated for Best Picture, as that runs the risk of really misaligning expectations for new viewers; it's simply a well-made B movie, no more or less, and is a solid time if you like that sort of movie. It's by no means a great film and I'm honestly befuddled by the Awards Season acclaim it received.
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: Hell or High Water (David Mackenzie, 2016)
Honestly given how west Texas the film was striving for it was terribly distracting to me that the film was clearly made in New Mexico.
- Brian C
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Re: Hell or High Water (David Mackenzie, 2016)
To me, the gun-toting posse felt more like how Texans see themselves than how they actually are. Just another example of Texas mythologizing.All the Best People wrote:I think what this movie had going for it the most (beyond the performances) was a real sense of place; the various townspeople spoke in authentic voices, and the residents forming their own gun-toting posse felt just so very Texas.
- DarkImbecile
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Re: Hell or High Water (David Mackenzie, 2016)
I could tell the difference as well, but I'm from New Mexico. I doubt it's all that noticeable to people not from/familiar with the region, but maybe I'm making too much of an assumption there.knives wrote:Honestly given how west Texas the film was striving for it was terribly distracting to me that the film was clearly made in New Mexico.
- knives
- Joined: Sat Sep 06, 2008 6:49 pm
Re: Hell or High Water (David Mackenzie, 2016)
The really big tell for me was the traffic signs. No where else to the best of my knowledge does that sideways thing.
- PfR73
- Joined: Sun Mar 27, 2005 6:07 pm
Re: Hell or High Water (David Mackenzie, 2016)
knives wrote:The scene with the waitress has to be the worst written from last year's major films.
That was my favorite scene in the film and I think Margaret Bowman should've been nominated for Best Supporting Actress.
- domino harvey
- Dot Com Dom
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Re: Hell or High Water (David Mackenzie, 2016)
Are you that one secret Oscar voter who shared their ballot?
- PfR73
- Joined: Sun Mar 27, 2005 6:07 pm
Re: Hell or High Water (David Mackenzie, 2016)
Sadly, I am not an Oscar voter. While I agreed with that person about Ms. Bowman, I thought almost everything else they said was ridiculous. They hated Arrival (without ever actually explaining why) & Toni Erdmann, which were my first & fifth favorite films of last year.
- knives
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Re: Hell or High Water (David Mackenzie, 2016)
I meant with Pine, not Bridges for clarification. That scene underlined the themes until it became text.PfR73 wrote:knives wrote:The scene with the waitress has to be the worst written from last year's major films.
That was my favorite scene in the film and I think Margaret Bowman should've been nominated for Best Supporting Actress.
- PfR73
- Joined: Sun Mar 27, 2005 6:07 pm
Re: Hell or High Water (David Mackenzie, 2016)
Gotchaknives wrote:I meant with Pine, not Bridges for clarification. That scene underlined the themes until it became text.PfR73 wrote:knives wrote:The scene with the waitress has to be the worst written from last year's major films.
That was my favorite scene in the film and I think Margaret Bowman should've been nominated for Best Supporting Actress.