Who Gives Good Commentary?
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- Joined: Fri Mar 30, 2012 4:40 pm
Re: Who gives good commentary?
I was hoping I'd be given an example.
I haven't heard The Wild Bunch commentary but I've heard Stephen Prince's for Straw Dogs. I don't think the whole film is necessary and even if you have two hours of ideas I don't think it makes sense to confine yourself in that way. You're only trying to say something. But I still listen to them (don't worry!), I just almost always wish I didn't have to unless they're entertaining.
I haven't heard The Wild Bunch commentary but I've heard Stephen Prince's for Straw Dogs. I don't think the whole film is necessary and even if you have two hours of ideas I don't think it makes sense to confine yourself in that way. You're only trying to say something. But I still listen to them (don't worry!), I just almost always wish I didn't have to unless they're entertaining.
- warren oates
- Joined: Fri Mar 02, 2012 12:16 pm
Re: Who gives good commentary?
But you certainly weren't couching it that way. You were defying us to give you (impossibly) an example of a lengthy yet "justified" scholarly commentary you've already heard -- which 1) how should we know what you've heard and which 2) furthermore, in any case, you've already preemptively declared will not exist. Btw, for the record, I meant the Peckinpah scholars' group consisting of Paul Seydor, David Weedle, Nick Redman and Garner Simmons. I like Prince's work too, but their Straw Dogs track is only on the MGM U.K. disc. And part of the pleasure of listening to commentaries like these is hearing the scholars pipe up about small choices, odd bits of business, day players, line readings, singular images, etc. -- the sort of details that might not make the cut of a more rigorously dense and time-limited visual essay.
- matrixschmatrix
- Joined: Tue May 25, 2010 11:26 pm
Re: Who gives good commentary?
I mean, the obvious candidate here is Kalat- who ran rampant over the entire like 9 hours of the Mabuse trilogy without flagging in energy or quality of information once. Yes, in theory that could all have been done via visual essay, but a.) the restriction of the form can give rise to creativity, b.) 9 hours of visual essay wouldn't have fit on the discs, and c.) I suspect painstakingly picking images to go with everything you want to say instead of responding to a movie would take even longer than a nicely prepared, edited, screen specific commentary.
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- Joined: Fri Mar 30, 2012 4:40 pm
Re: Who gives good commentary?
I didn't mean to be "defying" anyone, I was just being casually annoying which doesn't seem to work in writing and will probably get me the Richard Cranium award if I keep it up. The pleasures you speak of are the ones I get out of Zulawski's commentaries but not scholarly ones. I always expect them to be rigorously dense. I got nothing to say. I've heard the wrong ones.
- warren oates
- Joined: Fri Mar 02, 2012 12:16 pm
Re: Who gives good commentary?
I think it's also fair to say that one inherent quality/advantage commentaries have over visual essays is their ability to be digressive. Commentaries are much more like annotations in this regard -- there's nothing too small to remark on. I love a good Tag Gallagher visual essay as much as anyone. But there's no way he can tell us everything he notices or loves about a film in them.
- matrixschmatrix
- Joined: Tue May 25, 2010 11:26 pm
Re: Who gives good commentary?
100% seriously if you listen to David Kalat, David Forgacs, and Casper Tyberg and don't enjoy any of them, scholarly commentaries just might not be for you.
- swo17
- Bloodthirsty Butcher
- Joined: Tue Apr 15, 2008 10:25 am
- Location: SLC, UT
Re: Who gives good commentary?
Why not give the forum award winning To Be or Not to Be commentary a try?matrixschmatrix wrote:I mean, the obvious candidate here is Kalat
L'avventura also has a great one that helped me appreciate the film a lot more.
- colinr0380
- Joined: Mon Nov 08, 2004 4:30 pm
- Location: Chapel-en-le-Frith, Derbyshire, UK
Re: Who gives good commentary?
I agree with warren oates, the more freeform discussion between a number of commentators is absolutely fantastic when it is done well and a commentary track itself provides more leeway for digressions or tangents than a fully composed video piece may. Though video pieces have their own advantages too, such as being able to juxtapose scenes together to illustrate a point and manipulate the original imagery of the work in question in various other ways - I particularly like the Subjective Assault visual essay on the Clean, Shaven disc, and the value of both kinds of approaches to film criticism is best shown I think by those BFI releases of Peter Greenaway's work which features both commentaries (explaining ideas in the film) and video pieces (playing around with the images to create a different take on the same ideas).
In addition to the 'Peckinpah scholars' commentaries I would highly recommend any of the Kim Newman and Alan Jones commentaries for Dario Argento films (Blue Underground's release of The Bird With The Crystal Plumage and the UK disc of Suspiria), or the Kim Newman and Stephen Jones commentaries on I Walked With A Zombie (on The Val Lewton set) and Mark of the Vampire (on the Hollywood's Legends of Horror set) as being full of fascinating information along with analysis and discussion provoked by the unfolding film.
In addition to the 'Peckinpah scholars' commentaries I would highly recommend any of the Kim Newman and Alan Jones commentaries for Dario Argento films (Blue Underground's release of The Bird With The Crystal Plumage and the UK disc of Suspiria), or the Kim Newman and Stephen Jones commentaries on I Walked With A Zombie (on The Val Lewton set) and Mark of the Vampire (on the Hollywood's Legends of Horror set) as being full of fascinating information along with analysis and discussion provoked by the unfolding film.
- jheez
- Joined: Tue Jan 10, 2012 12:17 pm
Re: Who gives good commentary?
Another issue, which I don't think has been mentioned yet, is that an audio only commentary is a whole lot easier to put together than a long visual essay, from a production standpoint.
- markhax
- Joined: Sat Oct 20, 2007 5:42 pm
- Contact:
Re: Who gives good commentary?
My favorite is the Danish film historian, Casper Tybjerg, who gives informative, often eloquent commentaries, on Dreyer's Joan of Arc (and has an essay in the MOC booklet) and on the Kino edition of Dreyer's Michael. I see he will also be doing commentary on Criterion's forthcoming Master of the House.
- Gregory
- Joined: Tue Nov 02, 2004 4:07 pm
Re: Who gives good commentary?
He's also on Haxän and The Phantom Carriage as well as the BFI Day of Wrath.
- zedz
- Joined: Sun Nov 07, 2004 7:24 pm
Re: Who gives good commentary?
He may not be an academic, but Guillermo del Toro's commentary on Vampyr is one of the best academic commentaries you'll come across.
- Drucker
- Your Future our Drucker
- Joined: Wed May 18, 2011 9:37 am
Re: Who gives good commentary?
One great commentary in the collection that doesn't get enough credit, I think, is Gary Giddens in Paths of Glory. Lots of neat facts. My two favorite highlights:
-Kirk Douglas apparently hated the way Timothy Carey played the scene as he's escorted in front of the firing squad, and had wanted it to be much more somber and calm.
-His analysis of the three officers being akin to a chess match in the General's office.
-Kirk Douglas apparently hated the way Timothy Carey played the scene as he's escorted in front of the firing squad, and had wanted it to be much more somber and calm.
-His analysis of the three officers being akin to a chess match in the General's office.
- Yojimbo
- Joined: Fri Jul 04, 2008 10:06 am
- Location: Ireland
Re: Who gives good commentary?
I loved the pair of academic commentators for the MofC 'Toni'
Carl Franklin for 'One False Move', and 'Devil'
The three commentators on the 'Touch of Evil' Special Edition DVD - esp. the one for the original version
The three commentators on the Criterion 'Seven Samurai'
The commentator for the Bava box-sets.
The Willem Dafoe-Greg Kinnear joint commentary for 'Auto-Focus'
Werner Herzog is a great raconteur: he'd be a wow on the after-dinner circuit
....that should be enough to be going on with! [cool]
Carl Franklin for 'One False Move', and 'Devil'
The three commentators on the 'Touch of Evil' Special Edition DVD - esp. the one for the original version
The three commentators on the Criterion 'Seven Samurai'
The commentator for the Bava box-sets.
The Willem Dafoe-Greg Kinnear joint commentary for 'Auto-Focus'
Werner Herzog is a great raconteur: he'd be a wow on the after-dinner circuit
....that should be enough to be going on with! [cool]
- Yojimbo
- Joined: Fri Jul 04, 2008 10:06 am
- Location: Ireland
Re: Who gives good commentary?
I guess now you know why the missus is always buying you Friedkin commentary DVDs for presents!zedz wrote:I'm exactly the same. There are some commentaries that drive me to get all sorts of long-ignored household jobs out of the way.
- manicsounds
- Joined: Tue Nov 02, 2004 10:58 pm
- Location: Tokyo, Japan
Re: Who gives good commentary?
Jean Pierre Jeunet
His English-language commentaries for Amelie, City Of Lost Children, Alien Resurrection, were limiting in content from him because of his limited English skills, so his French commentaries were always more lively and more enthusiastic.
But his English commentary for Micmacs was one that matches his French commentaries. His English has improved quite a lot, and gives a lot of funny, interesting info with barely any gaps.
His English-language commentaries for Amelie, City Of Lost Children, Alien Resurrection, were limiting in content from him because of his limited English skills, so his French commentaries were always more lively and more enthusiastic.
But his English commentary for Micmacs was one that matches his French commentaries. His English has improved quite a lot, and gives a lot of funny, interesting info with barely any gaps.
- Lemmy Caution
- Joined: Wed Mar 29, 2006 3:26 am
- Location: East of Shanghai
Re: Who gives good commentary?
Not commentary during the film, but there are two very good interviews as extras on the Minerva disc of Love in the City (1953).
Paolo Mereghetti contextualizes Zavattini's theory and approach. While detailing where this neo-realist project goes off the rails.
And Luca Bandirali makes an interesting case for the talents of musician-composer Mario Nascimbene, his theory of a neo-realist sound design and subsequent Hollywood career.
Both interviews are just talking heads, but are very informative and analytical.
Not mentioned in the Nascimbene extra was one very arresting use of sound. The mother walks to the gates of the religious institute where the son she abandoned the day before is being cared for, and we hear this sad funereal music. And then as she presses the door bell, the music stops abruptly and the buzzer pierces through. Quite effective how the music captures her subjective state, and then the harsh buzzer provides an objective complement. The sound design follows her musing about doing this unpleasant act and then reality intrudes as she does it. And all of this is filmed from inside the gates, so the bars look like she's in prison already ... In the discussion Bandirali talks about how Nascimbene tried to combine music cues with ordinary sounds to make an integrated sound texture for the film. And that is a perfect small example.
Anyway, I usually don't bother with extras, but gave a glance at these two and was very glad I did. Both of them could be watched either before or after viewing the short film compilation. The third interview is more general and less interesting.
Paolo Mereghetti contextualizes Zavattini's theory and approach. While detailing where this neo-realist project goes off the rails.
And Luca Bandirali makes an interesting case for the talents of musician-composer Mario Nascimbene, his theory of a neo-realist sound design and subsequent Hollywood career.
Both interviews are just talking heads, but are very informative and analytical.
Not mentioned in the Nascimbene extra was one very arresting use of sound. The mother walks to the gates of the religious institute where the son she abandoned the day before is being cared for, and we hear this sad funereal music. And then as she presses the door bell, the music stops abruptly and the buzzer pierces through. Quite effective how the music captures her subjective state, and then the harsh buzzer provides an objective complement. The sound design follows her musing about doing this unpleasant act and then reality intrudes as she does it. And all of this is filmed from inside the gates, so the bars look like she's in prison already ... In the discussion Bandirali talks about how Nascimbene tried to combine music cues with ordinary sounds to make an integrated sound texture for the film. And that is a perfect small example.
Anyway, I usually don't bother with extras, but gave a glance at these two and was very glad I did. Both of them could be watched either before or after viewing the short film compilation. The third interview is more general and less interesting.
- Lowry_Sam
- Joined: Mon Jul 05, 2010 3:35 pm
- Location: San Francisco, CA
Re: Who gives good commentary?
I've never been fond of commentaries, more often than not they just seem to rehash the obvious, are too idiosyncratic to the speaker, contain a lot of filler or dead air. But after all the praises of David Kalat here, i decided to check a few out & am a convert. His commentaries are informative & engaging, definitely a bonus feature worth having.
- EddieLarkin
- Joined: Sat Sep 08, 2012 10:25 am
Re: Who gives good commentary?
If you enjoyed Kalat's style, then I'd recommend Tony Rayns, Christopher Frayling, Stephen Prince and Michael Jeck who follow a similar method (prepared essays told in an engaging way, with little to no dead air, avoiding just stating the obvious or narrating what's on screen).
- matrixschmatrix
- Joined: Tue May 25, 2010 11:26 pm
Re: Who gives good commentary?
I would put David Forgacs, Casper Tybjerg, and Peter Cowie in that same circle.
- Ashirg
- Joined: Wed Nov 03, 2004 9:10 am
- Location: Atlanta
Re: Who gives good commentary?
I would also add Tim Lucas to the list, although I haven't listened to his most recent ones for Redemption, Arrow and BFI.
- manicsounds
- Joined: Tue Nov 02, 2004 10:58 pm
- Location: Tokyo, Japan
Re: Who gives good commentary?
Aside good points, Stephen Prince bastardizes Japanese pronunciation (unlike Tony Rayns who pronounces Japanese very well), and what Kalat has above all the others mentioned is the excitement when he talks. Rarely monotone, and changes in rhythm and cadence. He knows how to give a great presentation.EddieLarkin wrote:If you enjoyed Kalat's style, then I'd recommend Tony Rayns, Christopher Frayling, Stephen Prince and Michael Jeck who follow a similar method (prepared essays told in an engaging way, with little to no dead air, avoiding just stating the obvious or narrating what's on screen).
- MichaelB
- Joined: Fri Aug 11, 2006 6:20 pm
- Location: Worthing
- Contact:
Re: Who gives good commentary?
...with Forgacs possibly slightly edging it out of that trio. For instance, when he and Cowie went directly head to head on The Leopard (Cowie recorded the Criterion commentary, Forgacs the BFI), Forgacs was the runaway winner, largely because he's a professional specialist in the relevant historical/cultural/linguistic fields in a way that Cowie isn't.matrixschmatrix wrote:I would put David Forgacs, Casper Tybjerg, and Peter Cowie in that same circle.
And I think Forgacs' commentary on Arrow's The Conformist is pretty close to my benchmark for what a perfect critical commentary should be, in terms of both content and presentation.
- FrauBlucher
- Joined: Mon Jul 15, 2013 8:28 pm
- Location: Greenwich Village
Re: Who gives good commentary?
What are the thoughts of James Ursini's commentary for Out of the Past, which is being carried over to the blu?
- manicsounds
- Joined: Tue Nov 02, 2004 10:58 pm
- Location: Tokyo, Japan
Re: Who gives good commentary?
It's been 10 years or so since I've listened to it, but it was before Ursini met his BFF Alain Silver, I found a comment on the DVDVerdict review:FrauBlucher wrote:What are the thoughts of James Ursini's commentary for Out of the Past, which is being carried over to the blu?
DVDVerdict wrote:The extra of note here is the aforementioned full-length commentary track from noir expert James Ursini, who possesses both a fan's love for the film and a scholar's expertise on the elements of noir. The track is breezy and likable, with Ursini contributing a lengthy discourse on noir itself, the film's production history, and its place within the body of noir.