Eclipse Series 8: Lubitsch Musicals
- justeleblanc
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Eclipse Series 8: Lubitsch Musicals
ECLIPSE SERIES 8: LUBITSCH MUSICALS
Not only the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also helped invent the modern movie musical. With the advent of sound and audiences clamoring for "talkies," Lubitsch combined his love of European operettas and his mastery of film to create this entirely new genre. These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as "the Lubitsch touch."
The Love Parade
Ernst Lubitsch's first "talking picture" was also Hollywood's first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of "Sylvania." With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes.
Monte Carlo
Jeanette MacDonald's independent-minded countess leaves her foppish prince fiancé at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (Broadway crossover Jack Buchanan), who poses as a hairdresser to get into her boudoir. Lubitsch's follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her sexily haughty best.
One Hour With You
Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, "I did so want to see you in tights!": it's one of Lubitsch's sauciest escapades and his final pre-Code musical.
The Smiling Lieutenant
Maurice Chevalier's randy Viennese lieutenant is enamored of Claudette Colbert's freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the sexually repressed princess of the fictional kingdom of Flausenthurm, played by newcomer Miriam Hopkins, sets her sights on him. The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, "Jazz Up Your Lingerie."
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Lubitsch Musicals box confirmed via email.
Not only the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also helped invent the modern movie musical. With the advent of sound and audiences clamoring for "talkies," Lubitsch combined his love of European operettas and his mastery of film to create this entirely new genre. These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as "the Lubitsch touch."
The Love Parade
Ernst Lubitsch's first "talking picture" was also Hollywood's first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of "Sylvania." With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes.
Monte Carlo
Jeanette MacDonald's independent-minded countess leaves her foppish prince fiancé at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (Broadway crossover Jack Buchanan), who poses as a hairdresser to get into her boudoir. Lubitsch's follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her sexily haughty best.
One Hour With You
Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, "I did so want to see you in tights!": it's one of Lubitsch's sauciest escapades and his final pre-Code musical.
The Smiling Lieutenant
Maurice Chevalier's randy Viennese lieutenant is enamored of Claudette Colbert's freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the sexually repressed princess of the fictional kingdom of Flausenthurm, played by newcomer Miriam Hopkins, sets her sights on him. The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, "Jazz Up Your Lingerie."
....
Lubitsch Musicals box confirmed via email.
- domino harvey
- Dot Com Dom
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- denti alligator
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- justeleblanc
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- domino harvey
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- Jeff
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Especially since there are so many potentially great supplements that could go on this set. I'm surprised that Criterion would spend money licensing titles from a major studio, only to put them on a budget set.domino harvey wrote:I'm overjoyed to see more Lubitsch getting released, I guess I just never turn my nose up at potential Lubitsch-related extras, which will obviously be absent from an Eclipse set.
Last edited by Jeff on Thu Oct 11, 2007 11:18 pm, edited 1 time in total.
- justeleblanc
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I also find it surprising that criterion would license these films from Universal and dump them as an Eclipse box. Maybe the films were unrestorable or the cost of restoration was more than Criterion was willing to spend?Jeff wrote:Especially since there are so many potentially great supplements that could go on this set. I'm surprised that Criterion would spend money licensing titles from a major studio, only to put them on a budget set.domino harvey wrote:I'm overjoyed to see more Lubitsch getting released, I guess I just never turn my nose up at potential Lubitsch-related extras, which will obviously be absent from an Eclipse set.
I'm just reminded of The Scarlet Empress which they also licensed from Universal, which looked pretty awful. I wonder if it's a similar situation?
- Cinephrenic
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- What A Disgrace
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- Dot Com Dom
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- Max von Mayerling
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- zedz
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Your homeworkMax von Mayerling wrote:God bless them for releasing this, but I don't think I can buy a box set in which 3 of the 4 films star Maurice Chevalier. The man strikes me as ham personified, at least on film. But perhaps I just need a proper education.
- denti alligator
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- Tribe
- The Bastard Spawn of Hank Williams
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Where did the idea that a release under the Eclipse label is dumped start? I've found the Eclipse series anything but dumped afterthoughts. I'll bet this box will be just as presentable as the previous sets.ianungstad wrote:I also find it surprising that criterion would license these films from Universal and dump them as an Eclipse box.
Tribe
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I think people may have recieved that impression from Criterion's original press releases about Eclipse being a bit more of a "no frills" line, with the films not undergoing restoration and the lack of bonus features.Tribe wrote:Where did the idea that a release under the Eclipse label is dumped start? I've found the Eclipse series anything but dumped afterthoughts. I'll bet this box will be just as presentable as the previous sets.ianungstad wrote:I also find it surprising that criterion would license these films from Universal and dump them as an Eclipse box.
When the actual product started coming out, people began to see that the films were in more than presentable shape, though with minor technical faults. I think that to some degree the idea that "Criterion didn't want to spend the money to do a deluxe edition of this film" has stuck as a though in consumer's minds.
I think my comments in regards to the Lubitsch box was a healthy curiosity as to why Criterion specifically went after these films from Universal for Eclipse material when most of their hollywood studio offerings seem targed towards deluxe editions and upper tier criterions.
I am eagerly looking forward to this box, so paying a lower price point is just fine for me! Who knows, maybe the silent Sternburg's from Paramount will be another Eclipse series.
- Tribe
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Pure speculation on my part, but I'd think Criterion didn't pay huge dollars to license these and perhaps the previous Lubitsch releases weren't huge sellers. I'm looking forward to these...and a von Sternberg silent set would certainly be something.ianungstad wrote:I think my comments in regards to the Lubitsch box was a healthy curiosity as to why Criterion specifically went after these films from Universal for Eclipse material when most of their hollywood studio offerings seem targed towards deluxe editions and upper tier criterions.
I am eagerly looking forward to this box, so paying a lower price point is just fine for me! Who knows, maybe the silent Sternburg's from Paramount will be another Eclipse series.
Tribe
- Matt
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A von Sternberg anything would be something at this point. But I'm so pleased with the announcement of this Lubitsch set, I want to buy dozens and give them to strangers on the street. Between the Varda set and this set, it's clear that Criterion are determined to make 2008 the year I finally stop complaining.Tribe wrote:and a von Sternberg silent set would certainly be something.
- denti alligator
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- HerrSchreck
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I'd bet the house (wait, I'm replying to Denti here... I take that back!!) that these newly acquired home vid rights from Uni were more expensive than their long running, bulk arrangement w Toho (which includes exhibition on the Janus end). Kuro is one of their House Brands which they also probably project selling way more sets of than the Lubitsch.
- Jeff
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Well, there you go. I still say Criterion won't make as much on the Lubitsch, but I'm glad to see they're keeping their Eclipse pricing structure consistent.Shrew wrote:Errr... I'm reading the SRP for Lubitsch as 59.95, and the SRP for Kurosawa as 69.95.
Lubitsch is cheaper. It just hasn't been put into the Criterion store yet and thus is not offered at their sale price (which should be 48.95ish).
- GringoTex
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Proof that good direction can overcome bad Chevalier.zedz wrote:Your homeworkMax von Mayerling wrote:I don't think I can buy a box set in which 3 of the 4 films star Maurice Chevalier. The man strikes me as ham personified, at least on film. But perhaps I just need a proper education.