In 1974, Barbet Schroeder went to Uganda to make a film about Idi Amin, the countryâs ruthless, charismatic dictator. Three years into a murderous regime that would be responsible for the deaths of hundreds of thousands of Ugandans, Amin prepared a triumphal greeting for the filmmakers, staging rallies, military maneuvers, and cheery displays of national pride, and envisioning the film as an official portrait to adorn his cult of personality. Schroeder, however, had other ideas, emerging with a disquieting, caustically funny brief against Amin, in which the dictatorâs own endless stream of testimonyâcharming, menacing, and nonsensical by turnsâserves as the most damning evidence. A revelatory tug-of-war between subject and filmmaker, General Idi Amin Dada: A Self-Portrait
is a landmark in the art of documentary and an appalling study of egotism in power.
- New interview with Barbet Schroeder
- New interview with journalist and author Andrew Rice about Idi Aminâs regime
- An essay by critic J. Hoberman